A Photographer in Shanghai: The French, Part 3

By Peter Harmsen
15 April, 2018
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The war between China and Japan that broke out in 1937 was a modern media war involving the international press as an actor in the game for public opinion. This was especially the case in the early stages of the war, when it was waged over cities along the Chinese east coast easily reached by foreign journalists. Both sides of the conflict were eager to present their side of the story to the world and usually granted western correspondents extensive access.

One of the most prolific foreign photographers during the three-month battle for Shanghai in 1937 was American-born Malcolm Rosholt. His images show clearly that he was a frequent visitor to both sides of the frontline. But he also took photos of the neutrals, including the forces sent by France to protect the city’s huge French Concession. The photo used in this article show the interaction between the French and the locals, mostly in the form of refugees who desperately sought entry into the Concession in order to escape the carnage unfolding around their homes in the Chinese part of the city.

This article reproduces a small selection of Rosholt’s huge output of photos. They are brought with the kind permission of Historical Photographs of China, a project based at the University of Bristol. All photos are courtesy of Historical Photographs of China, Mei-fei Elrick and Tess Johnson.